Fashionably Late to the After Party
Movie Reviews - The Girl with the Dragon Tattoo (English Version) - Daniel Craig plays his weakest male of his career alongside
Rooney Mara, of the New York Football Giants' family. This movie, based off the
book by the same name, is intentionally hard on everyone. Combine the screwed
up world of Criminal Minds with the screwed up world of Law and Order: SVU, put
it on HBO after hours and also add Nazis. You might be close to the truly
demented world of Sweden. Apparently, the book's original title directly
translated is "Men who hate women". The amount of hype/buzz/taboo
about Steig Larsson's creation combined with the opportunity to cheaply watch
it at home with no other audience but my pets lead me to this viewing. Also,
I'm always keeping an eye out for more book series to Nook.
I'm not going to ruin the plot, but
you need to know going into it just how messed up it is. The Nazis are the nicest
part. Plot devices include brutal murders, violent rape, and torture. The movie
doesn't shy away from it, and I bet the book is worse. Yes, I watched this
without reading the book. I did my research on the internets to have a clue for
what I was getting in to. So no, this will not be a comparison to the book, nor
do I want it to be.
Instead, I want to open by giving a
lot of credit to David Fincher, the director. He has a way of making the
environment and the atmosphere surround and pressure the audience, and it amps
up the tension to impressive levels. "Support your work Chris?" Don't
mind if I do! Fincher also directed Panic Room. The bad guy in that movie
wasn't Jared "30 Seconds to the end of his movie career" Leto, or
Forest Whitaker's multi-directional glare, or even young Kristen Stewart's only
performance that could be considered acting. It was the Room itself. You felt
the panic of the room (see what I did there?) because it was the
oppressive obstacle to our heroes' freedom.
| Seriously, KStew peaked early |
So in TGWTDT, Fincher once again
shows his mastery of closed doors, narrowing hallways, exitless rooms, and
suffocating silence. The source material will (and should) make you
uncomfortable. The added weight of Fincher's direction and cinematography will
make you feel it physically. It's fantastic and traumatizing all at once. There
are multiple "What. Woah. Ohhhhhh Shit." moments that leave alasting
mark.
Secondly, Fincher's pacing feels
like you are working through a book. I really appreciated this slow read...to a
point. The last half hour or so is largely wrapping up various points that
could've been left out of the film, or at least cut down. Not bad, but by that
point I just wanted credits and a stiff drink.
Daniel Craig is certainly present
and passable, but he doesn't quite fit the character he's trying to portray. He
felt like he wanted to go back to wearing a tux and shooting guns, but had to
keep remembering "cardigan" and "no". It certainly doesn't
help that Ms. Football McFootball (FYI - "Rooney" as in Steelers
organization Rooney? Also related) is extremely solid. Lisbeth Salander is
beyond the category of damaged goods. Mara does a great job of being a shell of
a person, with a deep hidden interior and a unique accent. She also is scarily
believable in the abuse she takes, and what she does as a result. While I
wasn't always captivated by her, she was extremely good.
I've had a lot to say on this
version of the movie, and that's probably because it made me feel. It is a
twisted, horrific, dark piece of work, that I have a hard time not calling art
in some form. It forces you to feel a broad range of uncomfortable emotions.
Still, I expect people that subjected themselves to the book will find myraid
flaws with the movie. I say that, because I have no interest in reading the
book series, and it will be a challenging decision to see any of the subsequent
movies (or Danish versions, even with the chance to compare Noomi "That
Surgery Scene In Prometheus" Rapace ). I imagine the books are a step
beyond in every direction, and that the next movie will work to top Dragon
Tattoo, or give us more of the horrendous tragedies inflicted on the
characters. I'm not sure that I need that in my life. I'm also sure that the
movie gives a perfectly serviceable telling, but I completely understand
fanboyism (Half Blood Prince was unacceptable, and everyone involved with the
decision making should be rolledupinacarpetandthrownoffabridge).
I'll close with this: The Girl With
The Dragon Tattoo is a slow moving, tense, violent and abusive movie that
doesn't look for your comfort or forgiveness. Watch it at your own risk. If you
are willing to bravely cross the velvet rope after knowing some of what you're
getting, I think you will appreciate the experience. Just remember, the velvet
rope is there for a reason, and it is okay to stay in line for something else.
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